It was an absolutely French show, where the models walked on the embankment along the Seine River, demonstrating the very everyday atmosphere of Parisians. Some walked the dogs in black striped shorts and a red tweed jacket (more like a jacket), others brought home a basket of flowers, dressed in a translucent shirt luxuriously embroidered with large beads and beads. Viard clearly wanted to capture the essence of what is French, which is “refinement and simplicity, constancy and beauty.” And not only with the help of Chanel codes, but also through the image as a whole: loose hair, a hastily collected bun, natural makeup.
At the same time, throughout the everyday life of 68 bows, its first-class couture performance was noted. Of course, each of the techniques must be closely examined in order to understand all the intricacies of the work of the workshop. For example, like buds that cut out a cage on jackets or already blooming voluminous chiffon flowers, from which dresses were assembled. At the end of the show, we saw three weightless shades of lattes, the classic black and white. The last look is traditional for a Chanel bride.
