01.07.24, 13:09 2024-07-01T13:09:34+03:00
WHEN
Until 15 September
WHERE
Moscow, Pushkin Museum im. AS Pushkina
No other city in the world is covered with as many legends as Rome. The exhibition dedicated to this place will feature more than 150 works from the collection of Maxim Atayants, the collections of the Pushkin Museum. A.S. Pushkin, the Nizhny Novgorod State Art Museum and the Far Eastern Art Museum. The curators intend to trace one of the most interesting processes in the development of urbanistic thought recorded by mankind. The project aims to highlight not only the constant development of the modern appearance of Rome, the history of changes in its space and architecture in the period from the end of the 15th to the middle of the 18th century, but also the essential idea of Rome of the Eternal City as the greatest integral work of art.
Giovanni Battista Piranesi, engraving “Piazza di Monte Cavallo”, 1750 Corinthian pilaster capital. 1st-2nd centuries
WHEN
until August 24
WHERE
Moscow, pop/off/art
At the collective exhibition, built around the artists’ perception of the dacha as a place for creativity, we will see about 30 works by 13 authors of different generations, such as Eric Bulatov, Oleg Vasiliev, Sergei Geta, Nikolai Kasatkin, Andrei Krasulin, Vitali Pushnitsky. Most of the works were created in the second half of the 20th century and gathered in space not according to formal stylistic criteria, but according to intuitive and associative perception, according to recognizable scenes of summer life outside the city, which are accompanied by memories of sensations, sounds and smells. At the same time, the exhibition will touch on various conceptual levels of the concept of “dacha”, revealing that this simple word includes many different meanings and conditions.
Nikolay Kasatkin, painting “On the Terrace”, 2007 Erik Bulatov, painting “Pines”, 1961
WHEN
Until August 31
WHERE
Moscow, Soma restaurant
The Soma restaurant, in collaboration with the object design gallery 3L Gallery, inaugurates the Terra Incognita exhibition. A cartographic term from the Middle Ages, referring to unexplored lands, was presented as a metaphor for a person’s life path and his searches in the world of art, which often lead beyond the horizon of usual perception to something new and unexpected. Artist Eugenia Tut used this concept for her series of textile works. They became the headlines of the updated exhibition.
Photo from the exhibition Terra Incognita
WHEN
See you November 3rd
WHERE
Moscow, Ruarts Foundation
Curator Nina Gomiashvili spoke in detail about the exhibition, as well as about the editorial staff of BURO as the information partner of the project. I have chosen seven favourite works, however, if for some reason you have not yet seen the exhibition, we are giving you an active signal: it is time. Textile works by 39 contemporary artists permeate the three floors of the foundation and represent an ode to manual work. The word “textile” itself is associated with both texture and text. The fabric is transformed in the hands of the authors, the needle replaces the brush, entrusting the viewer with intimacy drawn from family life (motherhood, childhood experiences), from sexuality (violation of taboos, provocations), from personal stories. The artists touch upon universal human themes: fears, desires, hopes, the idea of mimicry and the search for roots.
Vitaly Tyurlik, textile collage “Cotton”, 2023 Sasha Braulov, “Enough”, 2023
WHEN
until November 4
WHERE
Moscow, New Tretyakov Gallery
43 artists, nine sections, a variety of techniques and materials – from installation to panels, from glass to metal. At the heart of this project is modern design based on the cultural code, traditions, customs and history of Russia – a design that connects the digital and physical worlds. It is this combination that is denoted by the term “phygital”. The exhibition will reveal in a new way the very concept of object design, which, in addition to its aesthetic and utilitarian function, is increasingly becoming a subject of deep reflection. The exhibition is structured as a journey through nine sections: “The Beginning of Time”, “The Sun as a Source of Life”, “Weaving”, “Folk Ingenuity in Communication with the World”, “Mythology”, “Religions in Art”, “Folk Life as a Source of Inspiration”, “Transfer of Knowledge”, “Preservation of Traditions”.
Olga Mikkova, Alexandra Ostrovskaya, lamp collection “Rtsy”, 2023 Alexandra Yarmolnik, design object “Mirror-platband”, 2023
WHEN
Until the 29th of September
WHERE
Moscow, Jewish Museum and Center of Tolerance
As part of the annual summer photography festival “Hidden Perspective”, the Jewish Museum and Tolerance Center will host an exhibition of the Lumiere Gallery collection. The project is dedicated to the first decades of the history of Soviet photography and brings together famous and little-known shots by classics of photo reportage: Arkady Shaikhet, Yakov Khalip, Mark Markov-Grinberg, Emmanuel Evzerikhin, Mikhail Prekhner, Naum Granovsky. The exhibition consists of six monographic sections revealing the work of each photographer.
Mikhail Prekhner, “Aircraft modeller”, 1930s Yakov Khali, “On patrol”, 1936
WHEN
Until August 31
WHERE
Moscow, HSE ART GALLERY
A series of personal exhibitions in pairs opens in the Pionerskaya gallery: projects by “teachers and students” of the HSE School of Design are shown in one place. The first in this series will be a project by professor Vladislav Efimov and the student of the “Design and Contemporary Art” profile Alexandra Zamurueva. The objects are united by reflections on the phenomenon of human work. In simple home production, which provides subsistence agriculture with household items and tools for their creation, there is a poetry of originality and restraint.
Alexandra Zamurueva, installation “The path to the beginning lies through the end”, 2023 Vladislav Efimov, installation “Fragments and spindles”, 2024
WHEN
until January 12th
WHERE
Zvenigorod, Manege
More than 40 works by renowned masters of landscape painting from the collection of the Russian Museum and the Zvenigorod Museum-Reserve (for example, landscapes by Ivan Aivazovsky, Alexei Savrasov, Arkhip Kuindzhi, Ilya Repin, Igor Grabar, their pupils and followers) are combined by theme into sections: “Clouds and Clouds”, “Rainbow”, “Bright Day”, “Sunrises and Sunsets”, “Moonlit Night” and “Element of Water”. A new project in a modern space opened just over a year ago invites you on a journey through the world of “transformed nature”, where artists from different eras and movements will become guides.
Fyodor Vasiliev, painting “After the rain. Country road”, 1867–1869 Alexey Savrasov, painting “The sunset over the swamp”, 1871
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